The steaming poo of a dog
First published in Daily Temporary, May, 2012.
The steaming poo of a dog
encaged in a plastic bag.
Gently resting upon his
left knee. It occasionally
bounces in motion,
you can see
condensation.
He talks and he talks. I
struggle to comprehend
the moment when he will
run out of words. Dried
food has produced a scab
on his chin and on his t-
shirt, tattoos run up
his arm and crawl out of his
hairline. He talks.
Perhaps he has
Aspergers, perhaps he
has Autism, perhaps
neither.
Tirelessly, he talks.
Noticing a lady from
Korea he speaks of
Taekwondo. Noticing a
man from Austria he
speaks of Germany.
Hearing this village is
somehow associated with
art he talks of Constable
and the ‘square artists’.
I admire his enthusiasm,
instigating
conversation that does
not directly reference
himself. He is fishing
around subjects, doing
his upmost (as would
any good host) to make us feel
welcome.
It is a curious one, us,
artists, invading his
small town and in turn
him invading, our curated
temporary settlement. I
sense his talk is
testing tolerance. Yet.
He stays. Him, His dog,
his dinner scabbed on
his chin and his poo in
his plastic bag causing
condensation. He stays.
As Alan and I disperse to
the local Ale House, he
stays. Welcome to Wolsingham.
Thankyou.
I am very happy to be
here.
The steaming poo of a dog
Andrew Wilson
The steaming poo of a dog was first published in ‘Daily Temporary’ on Monday 28th May, 2012. Daily Temporary was a newspaper project ran by Penka Mincheva (Bulgaria) and Peter Westman (Sweeden) at Nomadic Village 2012 in Wolsingham, County Durham, UK.
Nomadic Village was a project conceived by artist Klaus Mähring and produced by D6 with support from Durham County Arts Team and Wolsingham Parish Council. Between 21 May - 3 June 2012, the the Demesne Mill Picnic Area in the town of Wolsingham hosted a 'Nomadic Village' of 30+ international artists who came from as far away as Australia and as near as Tow Law. The 10-day project provided space for professional artists working in a variety of mediums to live and work, engage and interact with the local community and produce work responding to the location and situation
The village-hall bus at the nomadic village. Photo by Sharon Bailey